Some guitars try to fit into a category. The 1997 Gibson Blueshawk ignores categories completely.
At first glance it feels like a Les Paul that went on a diet and discovered a bit of SG attitude. Then you pick it up and realize it’s something entirely its own. Semi-hollow construction with dual f-holes, a carved top vibe, slim fast feel—and shockingly lightweight. This one comes in right around the 5–6 pound range, which is almost unheard of in the Gibson world. It’s the kind of guitar you can wear for hours without even thinking about it.
Finished in Ebony, it looks understated and classy, especially paired with the cream P-90 covers and gold hardware. There’s a subtle elegance to it. Nothing flashy—just cool.
Condition is very good to excellent for a 1997. No serious dings, cracks, or abuse. Just honest play wear from a guitar that was clearly enjoyed but respected. The finish has light surface wear consistent with age, but nothing distracting or structural. It presents extremely well for nearly three decades old.
Now the real story: the tone.
The Blueshawk is loaded with Gibson P-90 pickups, which already give you that articulate midrange growl and bite that humbuckers can’t quite replicate. But what makes this model truly unique is the factory Varitone-style rotary switch system. This isn’t just a gimmick—it dramatically expands the tonal range. From thick, full P-90 punch to thinner, cutting, almost single-coil-on-steroids sounds, the tonal options are massive. It can go from smoky blues to jangly cleans to gritty rock with a flick of the switch.
It also features Gibson’s “Blues 90” circuitry with a built-in dummy coil for hum reduction, meaning you get much of the clarity and edge of a traditional P-90 with reduced noise. That combination is a huge part of why these have developed such a cult following.
Construction-wise, the Blueshawk uses a semi-hollow body with a chambered design and a center block, giving it that airy acoustic resonance you noticed. It rings unplugged in a way most solid Gibsons simply don’t. Plugged in, there’s clarity and snap, but still sustain and depth.
The neck has that comfortable late-90s Gibson carve—substantial enough to feel solid, but not baseball-bat thick. The scale length is 24.75”, so bends are easy and expressive. It plays fast and feels alive.
These were only produced for a relatively short window, and they’ve become harder to find—especially clean examples in Ebony. They represent a really interesting era of Gibson experimentation, and players who know them tend to hang onto them.
Includes an aftermarket hard shell case.
This is one of those guitars that doesn’t just fill a slot in a collection—it changes the palette entirely. Light, resonant, wildly versatile, and undeniably unique.
Like all my guitars, this one’s been cared for and dialed in—no guesswork, no surprises, just a great instrument that’s ready to play. I personally inspect and test every guitar before it ships, making sure it’s in the exact condition I’d want to receive myself. These guitars come from me, not a shop—each one gets the kind of attention and care only a real guitar lover gives. Ships fast and insured.
⏳ Quick note
These guitars don’t usually sit. Most are purchased within 1–6 days, and I regularly hear from watchers after the listing has already sold. If this one’s on your radar, now’s the window!
